Lives and works in Brooklyn, NY.
M.F.A., International Center of Photography/Bard College. New York, NY.
B.A., Yale University. New Haven, CT.
Hide Your Daughters, Marinaro, New York, NY.
Live Agent, M+B Gallery, Los Angeles, CA
Verbs, Galerie Christophe Gaillard, Paris.
Cold Wave, M+B Gallery, Los Angeles, CA.
The Fifth Hammer, Galerie Christophe Gaillard, Paris.
Limonene, Locust Projects, Miami, FL.
The Use of Noise, Thierry Goldberg Gallery, New York, NY.
Victory Over the Sun!, Kumukumu Gallery, New York, NY.
Images at Work, curated by Dorothée Deyries-Henry, Abstract Room, Strasbourg, France.
Images at Work, curated by Dorothée Deyries-Henry, Abstract Room, Paris.
Shifting Landscapes, Sophia Contemporary, London.
Commercial Break, Public Art Fund, New York, NY.
J'ai 10 ans, Galerie Christophe Gaillard, Paris.
L'Autre visage: Portrait & expérimentations photographiques, Centre photographique, Pôle Image Haute-Normandie, Rouen, France.
Out of Obscurity, Flowers Gallery, London.
A Verdant Summer, Taymour Grahne Gallery, New York, NY.
Art Bandini, Los Angeles, CA.
Metamorphosis, Flowers Gallery, London.
Any Human Measure, curated by Alexandra Wetzel and Jonlin Wung, M+B Gallery, Los Angeles, CA.
Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton, FL.
Me and Benjamin, Galerie Xippas, Paris.
Foam Talent 2014, East Wing Gallery, Dubai.
Aggregate Exposure, George Lawson Gallery, San Francisco, CA.
Foam Talent 2014 (outdoor installation) Westergasfabriek, Amsterdam.
Foam Talent 2014, l'Atelier Néerlandais, Paris.
One Step Beyond, Galerie Christophe Gaillard, Paris.
Fixed Unknowns, curated by Ava Ansari and Molly Kleiman, Taymour Grahne Gallery, New York, NY.
Soft Target, curated by Phil Chang and Matthew Porter, M+B Gallery, Los Angeles, CA.
Big Pictures, Public-art exhibition organized by the Cincinnati Art Museum, OH.
Surface(s)/Prise(s), Galerie Christophe Gaillard, Paris.
Eve Plays Duchamp, curated by Kevin Moore, Brancolini Grimaldi, London.
Alchemical, curated by Kevin Moore, Steven Kasher Gallery, New York, NY.
10x10 American Photobooks, Tokyo Institute of Photography, Toyko.
La tradition du dégoût, Galerie Christophe Gaillard, Paris.
Render Visible, curated by Sonel Breslav, Present Company, Brooklyn, NY.
The Vice Photo Show, Black and White Gallery, Brooklyn, NY.
Brand Innovations for Ubiquitous Authorship, organized by Artie Vierkant, Higher Pictures, New York, NY.
Les Rencontres d'Arles Discovery Award, Arles, France.
Tailgates & Substitutes, Thierry Goldberg Gallery, New York, NY.
Everything Must Go, Casey Kaplan, New York, NY.
US EST, curated by Soo Kim, Pepin Moore, Los Angeles, CA.
Lifestyle Press, curated by Gil Blank, Cherry and Martin, Los Angeles, CA.
Bedtime for Bonzo, curated by Matthew Porter, M + B Gallery, Los Angeles, CA.
The Exquisite Landscape, ICP Education Gallery, New York, NY.
Seven Summits, curated by Matthew Porter, Mount Tremper Arts, Mount Tremper, NY.
Do I Move You, Are You Willing, Work Gallery, Brooklyn, NY.
Sonata for Executioner and Various Young Women, curated by Nicholas Weist, Andre Schlechtriem Contemporary, New York, NY.
The World is All That is the Case, curated by Arthur Ou, Hudson Franklin Gallery, New York, NY.
Things are Strange, New Century Artists, New York, NY.
Bun, Kumukumu Gallery, New York, NY.
Means to an End, curated by Brad Troemel, Heaven Gallery, Chicago, IL.
Various Photographs, curated by Tim Barber, 70 Front Street, New York Photo Festival, Brooklyn, NY.
Blind Spot's 15th Annual Benefit Auction, David Zwirner, New York, NY.
We Are Not Things, Invisible Exports, New York, NY.
The Crystal Chain, co-curated with Matthew Porter, Invisible Exports, New York, NY.
Blind Spot, Issue 45, co-edited with Matthew Porter.
Black Box, Triple Canopy, Issue 12, www.canopycanopycanopy.com/12.
Blind Spot's 3rd Annual Benefit Auction, participating curator, X Initiative, New York, NY.
The Noble Savage and the Little Tramp, Mount Tremper Arts, Mount Tremper, NY.
One Year for USA. Loren up, Paris.
Yankeleich, Matvei. Some Words for Dr. Vogt. Black Square Editions, New York, NY, cover.
Granta: The Magazine of New Writing, Issue 133, p 202.
Queen. Silent Face Projects. New York, NY.
Cotton, Charlotte. Photography is Magic. Aperture, New York, NY.
Peer to Peer. (monograph) Mörel Books. London, UK.
SPBH Pamphlet VI, with Matvei Yankelevich, Self Publish Be Happy, London, UK.
Hannah Whitaker, CD Editions, Heavy Books, Oslo, Norway.
Fulford, Jason and Gregory Halpern, eds. The Photographer's Playbook. Aperture, New York, NY.
Hannah Whitaker. Visible Spectrum book series, Conveyor Books. Jersey City, NJ.
Ship of Theseus, bombmagazine.org, web project.
Jigarjian, Michi, and Libby Pratt, eds. MOLD: EBB. Secretary Press, New York, NY.
On the Beach. with Aaron Hegert, Rob Kulisek, and Arnaud Lajeunie. Lodret / Vandret, Copenhagen, Denmark.
Four Photographs, thepsdshow.org, web project organized by Joshua Citarella.
Imaginary Landscape No. 1. Self-Published.
P. Y. T. Pretty Young Things. Lodret / Vandret, Copenhagen, Denmark.
Abe's Penny NADA Special Edition, with Tamar Halpern, Marianne Engel, John Lehr, and Ed Schad.
Miller, Meg. "These Photographs Were Inspired By 90-Year-Old Computer History." fastcodesign.com, Feb 1.
Steadman, Ryan. "10 Things to Do in New York's Art World Before July 1." observer.com, June 27.
Paul, Cassidy. "Hannah Whitaker: The Science and Art of Constructing Images," time.com, June 23.
Mercier, Clémentine. ""Verbs", feuilles, ciseaux," Libération, June 5, p 32.
Featured Artist: Hannah Whitaker. Canteen, Issue 9, p 34-35.
Hawkins, Alex. “Bold, experimental photography from American artist Hannah Whitaker,” itsnicethat.com, May 27.
Shuman, Aaron. “Construction Sight: How a generation of artists is re-ordering the building blocks of photography,”Frieze Magazine, No 170, April, p 116-118.
Sholis, Brian. “The Retouch: Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock,” Frieze Magazine, No 170, April, p 88.
Bush, Lewis. “Hannah Whitaker Peer to Peer,” 1000wordsmag.com, Feb.
Helfand, Glen. “The Return to Reason, San Francisco,” Photograph Magazine, Jan.
Groupthink: The Best Group Exhibitions From Beirut to Beijing. huffingtonpost.com, Jan.
Willard Sachs, Danica. “The Return to Reason.” Art Practical, Feb.
Walsh, Brianne. “Fixed Unknowns: Taymour Grahne, New York,” Art Review, Oct, p 144.
"Hannah Whitaker: Presented by Galerie Christohpe Gaillard," Unseen Magazine, Issue 1, p 116-117.
Voon, Claire. “The Unstable Art of Pattern Recognition,” hyperallergic.com, July 4.
Sales, Liz. "Hannah Whitaker: Open Systems," Foam, Issue 39, p 81 – 104.
Balhetchet, Claire. “Cold Wave,” Hotshoe, Issue 188, Summer, p 10 -21.
Hatt, Étienne. "Hannah Whitaker: Fueilletages," artpress2, Aug/Sept, No 34, p 53-55.
Ollman, Leah. "Review: Hannah Whitaker plays deftly with experimental photography," Los Angeles Times, Apr 11.
Hodosy, Vija. Delibrate Distortion, LA Canvas, Vol 4, No 3, p 24-25.
Mercier, Clémentine. "Hannah Whitaker, Profondeur de Chants," Libération, Jan 4.
Hatt, Étienne. "Hannah Whitaker," artpress, No 407, p 26.
Denny, Chelsey Morell and Huron, Leif. "The Composed Image: Hannah Whitaker and Noise," Conveyor, Vol 5, p 6-10
Blanchard, Benoît. "Hannah Whitaker: The Fifth Hammer," oeuvres-revue.net, Jan 11.
Cotton, Charlotte. "Photographer's File: Hannah Whitaker," IMA, Vol 6, p 199-201.
Russo, Peter J. "Highlights of 2012," blog.frieze.com, Jan 7.
Akel, Joseph. "Hannah Whitaker," Modern Painters, Sept 2012, p 98.
Harris, Sam. "Hannah Whitaker," thisisacult.org, Dec 10.
Interview, "Hannah Whitaker at Thierry Goldberg," www.paddle8.com, May 7.
"Voir: Les expositions de la semaine en France et dans le Monde," Le Quotidien de l'Art, No 206.
Vice Magazine: The Photo Issue 2012, Vol 19, No 7, p 80-81.
Valdez, Amanda. "Tailgates and Substitues," www.dossierjournal.com, Jan 11.
0_100_08, Issue 8.
Walleston, Aimee, "Hannah Whitaker," The Last Magazine, Issue 4.
Theme Magazine, Issue 20, p 74, 75, 78.
Picnic Magazine, Issue 3, p 478-90.
Blind Spot, Issue 37. Cover, p 1-8.
Topic Magazine, Issue 11, p 2.