Hannah Whitaker
Lives and works in Brooklyn, NY. 

Education
2006
M.F.A., International Center of Photography/Bard College. New York, NY.
2002
B.A., Yale University. New Haven, CT.

Solo Exhibitions
2017
Live Agent, M+B Gallery, Los Angeles, CA
2016
Verbs, Galerie Christophe Gaillard, Paris. 
2014
Cold Wave, M+B Gallery, Los Angeles, CA.
2013
The Fifth Hammer, Galerie Christophe Gaillard, Paris.
Limonene, Locust Projects, Miami, FL.
2012
The Use of Noise, Thierry Goldberg Gallery, New York, NY.
2010
Victory Over the Sun!, Kumukumu Gallery, New York, NY.

Group Exhibitions
2017
Commercial Break, Public Art Fund, New York, NY. 
J'ai 10 ans, Galerie Christophe Gaillard, Paris. 
2016
L'Autre visage: Portrait & expérimentations photographiques, Centre photographique, Pôle Image Haute-Normandie, Rouen, France.
Out of Obscurity, Flowers Gallery, London.
A Verdant Summer, Taymour Grahne Gallery, New York, NY.
Art Bandini, Los Angeles, CA.
2015
Metamorphosis, Flowers Gallery, London.
Any Human Measure, curated by Alexandra Wetzel and Jonlin Wung, M+B Gallery, Los Angeles.
Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton, FL.
2014
Me and Benjamin, Galerie Xippas, Paris.
Foam Talent 2014, East Wing Gallery, Dubai.
Aggregate Exposure, George Lawson Gallery, San Francisco, CA.
Foam Talent 2014 (outdoor installation) Westergasfabriek, Amsterdam.
Foam Talent 2014, l'Atelier Néerlandais, Paris.
One Step Beyond, Galerie Christophe Gaillard, Paris.
Fixed Unknowns, curated by Ava Ansari and Molly Kleiman, Taymour Grahne Gallery, New York, NY.
Soft Target, curated by Phil Chang and Matthew Porter, M+B Gallery, Los Angeles, CA.
Big Pictures, Public-art exhibition organized by the Cincinnati Art Museum, OH.
Surface(s)/Prise(s), Galerie Christophe Gaillard, Paris.
2013
Eve Plays Duchamp, curated by Kevin Moore, Brancolini Grimaldi, London.
Alchemical, curated by Kevin Moore, Steven Kasher Gallery, New York, NY.
10x10 American Photobooks, Tokyo Institute of Photography, Toyko.
2012
La tradition du dégoût, Galerie Christophe Gaillard, Paris.
Render Visible, curated by Sonel Breslav, Present Company, Brooklyn, NY.
The Vice Photo Show, Black and White Gallery, Brooklyn, NY.
Brand Innovations for Ubiquitous Authorship, organized by Artie Vierkant, Higher Pictures, New York, NY.
Les Rencontres d'Arles Discovery Award, Arles, France.
2011
Tailgates & Substitutes, Thierry Goldberg Gallery, New York, NY.
Everything Must Go, Casey Kaplan, New York, NY.
US EST, curated by Soo Kim, Pepin Moore, Los Angeles, CA.
Lifestyle Press, curated by Gil Blank, Cherry and Martin, Los Angeles, CA.
2010
Bedtime for Bonzo, curated by Matthew Porter, M + B Gallery, Los Angeles, CA.
The Exquisite Landscape, ICP Education Gallery, New York, NY.
Seven Summits, curated by Matthew Porter, Mount Tremper Arts, Mount Tremper, NY.
2009
Do I Move You, Are You Willing, Work Gallery, Brooklyn, NY.
2008
Sonata for Executioner and Various Young Women, curated by Nicholas Weist, Andre Schlechtriem Contemporary, New York, NY.
The World is All That is the Case, curated by Arthur Ou, Hudson Franklin Gallery, New York, NY.
Things are Strange, New Century Artists, New York, NY.
Bun, Kumukumu Gallery, New York, NY.
Means to an End, curated by Brad Troemel, Heaven Gallery, Chicago, IL.
Various Photographs, curated by Tim Barber, 70 Front Street, New York Photo Festival, Brooklyn, NY.
Blind Spot's 15th Annual Benefit Auction, David Zwirner, New York, NY.

Curatorial/Editorial Projects
2016
We Are Not Things, Invisible Exports, New York, NY. 
2012
The Crystal Chain, co-curated with Matthew Porter, Invisible Exports, New York, NY.
Blind Spot, Issue 45, co-edited with Matthew Porter.
2011
Black Box, Triple Canopy, Issue 12, www.canopycanopycanopy.com/12.
2009
Blind Spot's 3rd Annual Benefit Auction, participating curator, X Initiative, New York, NY.
The Noble Savage and the Little Tramp, Mount Tremper Arts, Mount Tremper, NY.

Publications
2015
One Year for USA. Loren up, Paris.
Yankeleich, Matvei. Some Words for Dr. Vogt. Black Square Editions, New York, NY, cover.
Granta: The Magazine of New Writing, Issue 133, p 202.
Queen. Silent Face Projects. New York, NY.
Cotton, Charlotte. Photography is Magic. Aperture, New York, NY.
Peer to Peer. (monograph) Mörel Books. London, UK.
2014
SPBH Pamphlet VI, with Matvei Yankelevich, Self Publish Be Happy, London, UK.
Hannah Whitaker, CD Editions, Heavy Books, Oslo, Norway.
Fulford, Jason and Gregory Halpern, eds. The Photographer's Playbook. Aperture, New York, NY. 
Hannah Whitaker. Visible Spectrum book series, Conveyor Books. Jersey City, NJ.
Ship of Theseusbombmagazine.org, web project. 
Jigarjian, Michi, and Libby Pratt, eds. MOLD: EBB. Secretary Press, New York, NY.
2013
On the Beach. with Aaron Hegert, Rob Kulisek, and Arnaud Lajeunie. Lodret / Vandret, Copenhagen, Denmark.
Four Photographsthepsdshow.org, web project organized by Joshua Citarella.
2012
Imaginary Landscape No. 1. Self-Published.
P. Y. T. Pretty Young Things. Lodret / Vandret, Copenhagen, Denmark.
2010
Abe's Penny NADA Special Edition, with Tamar Halpern, Marianne Engel, John Lehr, and Ed Schad.

Bibliography
2017
Miller, Meg. "These Photographs Were Inspired By 90-Year-Old Computer History." fastcodesign.com, Feb 1.
2016
Steadman, Ryan. "10 Things to Do in New York's Art World Before July 1." observer.com, June 27.
Paul, Cassidy. "Hannah Whitaker: The Science and Art of Constructing Images," time.com, June 23.
Mercier, Clémentine. ""Verbs", feuilles, ciseaux," Libération, June 5, p 32.
2015
Featured Artist: Hannah WhitakerCanteen, Issue 9, p 34-35.
Hawkins, Alex. “Bold, experimental photography from American artist Hannah Whitaker,” itsnicethat.com, May 27.
Shuman, Aaron. “Construction Sight: How a generation of artists is re-ordering the building blocks of photography,”Frieze Magazine, No 170, April, p 116-118.
Sholis, Brian. “The Retouch: Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock,” Frieze Magazine, No 170, April, p 88.
Bush, Lewis. “Hannah Whitaker Peer to Peer,” 1000wordsmag.com, Feb.
Helfand, Glen. “The Return to Reason, San Francisco,” Photograph Magazine, Jan.
Groupthink: The Best Group Exhibitions From Beirut to Beijing. huffingtonpost.com, Jan. 
Willard Sachs, Danica. “The Return to Reason.” Art Practical, Feb.
2014
Walsh, Brianne. “Fixed Unknowns: Taymour Grahne, New York,” Art Review, Oct, p 144.
"Hannah Whitaker: Presented by Galerie Christohpe Gaillard," Unseen Magazine, Issue 1, p 116-117. 
Voon, Claire. “The Unstable Art of Pattern Recognition,” hyperallergic.com, July 4.
Sales, Liz. "Hannah Whitaker: Open Systems," Foam, Issue 39, p 81 – 104. 
Balhetchet, Claire. “Cold Wave,” Hotshoe, Issue 188, Summer, p 10 -21.
Hatt, Étienne. "Hannah Whitaker: Fueilletages," artpress2, Aug/Sept, No 34, p 53-55. 
Ollman, Leah. "Review: Hannah Whitaker plays deftly with experimental photography," Los Angeles Times, Apr 11.
Hodosy, Vija. Delibrate Distortion, LA Canvas, Vol 4, No 3, p 24-25.
Mercier, Clémentine. "Hannah Whitaker, Profondeur de Chants," Libération, Jan 4. 
Hatt, Étienne. "Hannah Whitaker," artpress, No 407, p 26.
Denny, Chelsey Morell and Huron, Leif. "The Composed Image: Hannah Whitaker and Noise," Conveyor, Vol 5, p 6-10
2013
Blanchard, Benoît. "Hannah Whitaker: The Fifth Hammer," oeuvres-revue.net, Jan 11.
Cotton, Charlotte. "Photographer's File: Hannah Whitaker," IMA, Vol 6, p 199-201.
Russo, Peter J. "Highlights of 2012," blog.frieze.com, Jan 7.
2012
Akel, Joseph. "Hannah Whitaker," Modern Painters, Sept 2012, p 98.
Harris, Sam. "Hannah Whitaker," thisisacult.org, Dec 10.
Interview, "Hannah Whitaker at Thierry Goldberg," www.paddle8.com, May 7.
"Voir: Les expositions de la semaine en France et dans le Monde," Le Quotidien de l'Art, No 206.
Vice Magazine: The Photo Issue 2012, Vol 19, No 7, p 80-81.
Valdez, Amanda. "Tailgates and Substitues," www.dossierjournal.com, Jan 11.
2011
0_100_08, Issue 8. 
2010
Walleston, Aimee, "Hannah Whitaker," The Last Magazine, Issue 4. 
2009
Theme Magazine, Issue 20, p 74, 75, 78.
2008
Picnic Magazine, Issue 3, p 478-90.
Blind Spot, Issue 37. Cover, p 1-8.
Topic Magazine, Issue 11, p 2.